The Hollywood Reporter Actress Roundtable 2021


Written by Elise on February 12 2021

THR – A fiesta grandmother. A persecuted jazz icon. A grieving mother. A sexual assault avenger. A pioneering scientist. A girlfriend scorned.

On a mid-December morning, six actresses behind some of the year’s most dynamic performances came together for The Hollywood Reporter’s Actress Roundtable: Hillbilly Elegy’s Glenn Close, The United States vs. Billie Holiday’s Andra Day, Pieces of a Woman’s Vanessa Kirby, Promising Young Woman’s Carey Mulligan, Ammonite’s Kate Winslet and Malcolm & Marie’s Zendaya. The group, who gathered via video conference from homes and sets in L.A., Montana, Atlanta and the U.K., discussed the business side of acting, their weirdest pandemic habits, the dangerous Hollywood misconception about creative genius — and the fact that “how women’s voices are being received [is] the biggest thing that has shifted.

Press > 2021 > The Hollywood Reporter: Actress Roundable Issue [+02]
Photoshoots & Portraits > 2021 > Session 07 [+01]

What is something people often get wrong about acting?
There’s a bit of an idea, and maybe more even within the industry, that to make something great, people have permission to behave badly, the idea of someone being a creative genius … that they are so inspired, there’s a required level of darkness or unpleasantness that goes along with that, that you need to put up with. And I think people get away with bad behavior because of those reasons. In my experience, some of the most incredible people I’ve worked with have just been also the most delightful. So that’s kind of a common misconception, that there are people who have to behave badly to psych themselves up at work, or that the process is just sort of utterly miserable. I think you can work really hard, but ultimately … the attitude on set should be one of warmth.

What will you do differently in 2021?
The first thing that came into my mind was that I’m going to go to the theater as much as I can, and the cinema. As soon as we can, I’m going to sit around people and watch something together with them. It just shocked me how much I missed that. I watched a medley of musical theater on television a couple of weeks ago, and it just made me cry. I just want to be a part of that. So it sounds quite trivial, but I think that is something I’m looking most forward to.

(read the whole article at the source)

Netflix’s “The Dig” Screen Captures


Written by Elise on February 05 2021

In case you missed it, Simon Stone’s “The Dig” became available to watch on Netflix on Friday, January 29. Carey portrays Edith Pretty in the film, which is based on real-life events that took place back in the late 1930s. I have added over 1,200 high-quality screen captures of Carey in it, which you should definitely check out!

Based on the 2007 novel of the same name by John Preston, and also starring Ralph Fiennes and Lily James, “The Dig” reimagines the famous events of the 1939 excavation of Sutton Hoo.

Feature Films > The Dig (2021) > Blu-Ray Screen Captures [+ 1,250]

2021 Screen Actors Guild Awards Nominations


Written by Elise on February 04 2021

This is nominations week! Lily Collins and Daveed Diggs announced the 2021 Screen Actors Guild Awards nominations earlier today on the SAG official Instagram page. It is with no surprise that Carey got nominated for her performance in “Promising Young Woman“, as she is racing for the Academy Awards.

Outstanding Performance by a Female Actor in a Leading Role
Amy Adams (“Hillbilly Elegy”)
Viola Davis (“Ma Rainey’s Black Bottom”)
Vanessa Kirby (“Pieces of a Woman”)
Frances McDormand (“Nomadland”)
Carey Mulligan (“Promising Young Woman”)

As a result of the Covid-19 pandemic, the 2021 SAG Awards, typically held in January, have been moved back to April 4.

2021 Golden Globes: Nominations


Written by Elise on February 03 2021

It is with great pleasure that we bring you the news: Carey Mulligan has, with no surprise, just received a Golden Globe nomination for her performance in “Promising Young Woman“! We couldn’t be prouder and more excited for the actual ceremony to take place. The 78th Annual Golden Globe Awards will be held on February 28.

Best Actress in a Motion Picture – Drama
Viola Davis (“Ma Rainey’s Black Bottom”)

Andra Day (“The United States vs. Billie Holiday”)

Vanessa Kirby (“Pieces of a Woman”)

Frances McDormand (“Nomadland”)

Carey Mulligan (“Promising Young Woman”)

Promising Young Woman” received numerous other nominations, including Best Director – Motion Picture, Best Motion Picture – Drama, and Best Screenplay – Motion Picture. Huge congratulations to everyone involved!

Carey Mulligan for Harper’s Bazaar (March 2021)


Written by Elise on February 03 2021

Harper’s Bazaar – Carey Mulligan is at home, where she’s been – like everyone else – for the best part of a year. The day we speak she’s in her bedroom, in her house in Devon, and through the oddly personal glimpse Zoom allows into people’s lives, I can see a large, neatly made bed, little bottles of cream on a bedside table, the odds and ends of family life strewn around the room.

[…] When everything stopped, Mulligan was just starting to promote one of her two new films, Promising Young Woman, written and directed by the Killing Eve writer Emerald Fennell. Already, the movie had provoked the kind of conversations that reached beyond mere buzz. The story follows Cassie, played by Mulligan, who is on a path to avenge her best friend’s sexual assault by pretending to be drunk in bars, allowing men to take advantage, and then suddenly, soberly, calling them out.

Press > 2021 > Harper’s Bazaar (March) [+17]
Photoshoots & Portraits > 2021 > Session 06 [+10]

[…] “When the script came to my agent,” says Mulligan, “I just didn’t know what to do with it. I thought, ‘Why would Emerald ask me to do this?’” The part, and the movie, were outside Mulligan’s usual territory and the challenge to do something different was irresistible. Mulligan is more often found in period pieces – The Great Gatsby, Suffragette, Far from the Madding Crowd. She tends to play characters more obviously sympathetic, such as the grieving widow, Edith Pretty, in her other new project, a Netflix film called The Dig, which takes place on the eve of World War II and tells the story of the discovery of a haul of Anglo-Saxon artefacts beneath Edith’s land. Edith is the quintessential Mulligan role – slightly pained, wry, and often giving the impression of a buried emotional life communicated through a tiny half-smile, or a flicker of an eyebrow.

[…] Reflecting on her career, Mulligan says there simply wasn’t the opportunity for women film-makers and writers to make such movies when she started. “I certainly didn’t feel any of this kind of activity for the first decade I was working.” In her view, a game-changing moment was Blue Jasmine, the 2013 Woody Allen film in which Cate Blanchett played the title role, winning an Oscar for her performance.

I remember thinking, ‘Oh, there’s loads of brilliant, complex parts being written for women,’” says Mulligan. But after that, things seemed to regress again: “It was like one step forwards, two steps back.” (Also, it was still a film written by a man, one mired in controversy, who has had to publicly deny sexual abuse.) Only in the past couple of years has she felt that the landscape has truly changed, with women writers and directors getting the kind of backing they’ve long deserved and, as a result, creating parts like Cassie. Mulligan smiles at the thought not just of Cassie, but the antics all of these unforgettable characters: “It’s really fun to see people behaving badly.

So, has the process of working with Fennell given her an appetite to do the same – to make a story of her own? “Not right now,” says Milligan, frankly. “I don’t know, it’s funny. If I spend too long on something, or if I see too much behind the curtain, I don’t really want to participate.” Partly it’s the reality of life with small children, and the consequential lack of time. But also, she quite likes just being, as she puts it, ‘an actor for hire’ – turning up, doing her job, leaving. When filming The Dig, she rented a house as close to set as she could and made it home for bath-time most days. But her attitude reveals a little more than just the logistics of juggling family and work; it’s also part of who Mulligan is, and the way she chooses to be.

She talks about enjoying the mystery of jobs: her dream is to be sent a wonderful script, to unwrap it like a present, make the movie and then disappear. She doesn’t want to analyse shots or watch the rushes, has no inclination to be involved in the film-making beyond playing her part. “It makes me feel very self-aware,” she says. “I like being just an actor. I like just showing up and doing my thing and then leaving them to it.

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